{"title":"Classic Albums","description":"\u003cdiv style=\"text-align: center;\"\u003eHere's a collection of some of the most seminal albums of all time! These are staples that must be in your collection. Excellent gift ideas for a friend, partner or family member!\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eUSE THIS DISCOUNT CODE TO GET 10% OFF YOUR ORDER: CLASSIC10\u003c\/strong\u003e\u003c\/div\u003e","products":[{"product_id":"alfa-mist-antiphon","title":"Alfa Mist - Antiphon","description":"\u003cp\u003eCreated around a conversation with his brothers, Alfa Mist's Antiphon blends melancholy jazz harmony with alternative hip-hop and soul. 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Ten years later, the album is reissued on Hotflush with a bonus disc of the band’s first ever release.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum – where the ceilings were still ridiculously high to stop patients hanging themselves: “a cold, joyless, concrete building – the sort of building where you’d drop a pen and the sound would just go on and on in an echo.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArmed with found sound snips and a siege mentality, on Crooks \u0026amp; Lovers Kai and Dom set about turning London’s ambience into rhythm, its chaos into coherence. Traces of influence remained – the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper’s sad-eyed glow, D’Angelo’s pervert soul was cleansed in the intimacy of Phil Elvrum’s Microphones, Angelo Badalamenti’s swollen ‘Twin Peaks’ atmospheres found a cradle in Madlib’s lax lope. Sceneless and untethered from etiquette and genre codes, \"Crooks \u0026amp; Lovers\" floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn this special vinyl edition, the first ever Mount Kimbie transmission, the Maybes EP, is included. 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The scene was set for a comeback, perhaps as a backlash to the perceived violence and misogyny of gangsta rap's content. Leading the resurgence of alternative hip-hop were groups like Jurassic 5, and recentsignees to Capitol Records; a West coast trio that had been building steam underground since the early 90s called Dilated Peoples.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnticipation was high for the release of the debut album from Evidence, Rakaa, and DJ Babu. (Of the influential turntablist collective Beat Junkies.) When The Platform arrived in May of 2000 it was met with critical and underground acclaim, as well as affording Dilated Peoples their first Billboard chartings. It featured a back-to-basics sound with a heavy debt to the old-school hip-hop ethos, the kind of sound that harkened back to the early days of legends like De La Soul \u0026amp; A Tribe Called Quest. Hits like \"No Retreat\" and \"The Platform\" were bolstered by Evidence \u0026amp; Rakaa's subtle, abstract wit, and swift, adroit wordplay, while DJ Babu provided production chops and dextrous scratches. On The Platform the trio were joined by the likes of B-Real, Tha Alkoholiks, Everlast, Planet Asia, and many more providing guest vocals, while boasting guest production from The Alchemist \u0026amp; Kut Masta Kurt, among others. Since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen a vinyl reissue. With that, Get On Down-always on top of giving the greatest hip-hop albums their due-is proud to present this re-release of The Platform. The rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1. 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DJ Premier contributes to ‘Devil’s Pie’, and Method Man and Redman appear on ‘Left \u0026amp; Right’. Elsewhere, ‘Spanish Joint’, ‘Chicken Grease’ and ‘Untitled (How Does It Feel)’ show the range of a record that rewards listening beyond its singles. This double-vinyl edition includes all thirteen tracks, closing with ‘Africa’ on the fourth side.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Virgin Records\u003cbr\u003e\u003cstrong\u003eCatalogue number:\u003c\/strong\u003e 4724084\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA1. Playa Playa\u003cbr\u003eA2. Devil's Pie\u003cbr\u003eA3. Left \u0026amp; Right\u003cbr\u003eB1. The Line\u003cbr\u003eB2. Send It On\u003cbr\u003eB3. Chicken Grease\u003cbr\u003eB4. One Mo' Gin\u003cbr\u003eC1. The Root\u003cbr\u003eC2. Spanish Joint\u003cbr\u003eC3. Feel Like Makin' Love\u003cbr\u003eD1. 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Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMs. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Jimi Hendrix — personally inspiring the classic album Bitches Brew.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHer 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). 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RIP Prodigy.\u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Default Title","offer_id":40207760556147,"sku":"GET51469LP (A15)","price":29.16,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/products\/mobb-deep-infamy-4320741.jpg?v=1755332809"},{"product_id":"mort-garson-mother-earth-s-plantasia-green-purple-swirl","title":"Mort Garson - Mother Earth’s Plantasia","description":"\u003cp\u003eMort Garson’s Mother Earth’s Plantasia was conceived as music for plants and the people looking after them. Originally associated with the Mother Earth plant shop in Los Angeles, the album uses the Moog synthesiser to turn that playful premise into ten short instrumental pieces. 'Symphony For A Spider Plant', 'Ode To An African Violet' and 'Music To Soothe The Savage Snake Plant' give a sense of its botanical imagination. 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