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Lead track 'The Only Way' sees the return of Philly MC Uhmeer (Jazzy Jeff's son), his third collab with Kaidi and a timely celebratory track about this thing called Hip Hop, in its 50th year. 'Feels Like I'm On My Own' is a statement within itself, starting off as a jazz-funk jam, before switching to breakneck Brazilian choro, in the only way Kaidi can, with 'It's On' on a similar vein. 'Fricassee' is some heads down dancery business, and there are more guests with Trian Kayhatu appearing on 'Alien @$^%' and Matt Lord on the super energetic album closer 'Not Suffering'. Kaidi Tatham continues to grow on his already impressive catalogue, a body of work that falls within the cracks of jazz and dance music, exemplifying modern British black brilliance; uncompromising, innovative, groundbreaking, intricately sophisticated and deeply funky. His fanbase expands on every release and it's no surprise that that fanbase includes a diverse set of peers such as Madlib (\"ahead of his time\"), Gilles Peterson (\"a key part of an entire movement\") and K15 (\"a limitless source of inspiration\") to name just a few of the many influenced by Kaidi's sound. 'The Only Way' is released on vinyl \u0026amp; digital worldwide via First Word Records, late July 2023.","brand":"First Word Records","offers":[{"title":"Default Title","offer_id":41301417721971,"sku":"FW271 (A43)","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/kaidi-tatham-the-only-way-9419626.jpg?v=1755324067"},{"product_id":"24hr-experience-dub-essentials-part-1","title":"24hr Experience - Dub Essentials Part 1","description":"The treasure chest that just keeps on giving. Another refreshing, reissued dose of solid gold UKG heaters from one of the finest garage acts of the ‘90s, 24hr Experience. Highlighted here, the first EP under the 24hr Experience name from Grant Nelson and Simon Firmin back in 1994 - Dub Essentials Part 1. Samples galore, grooves upon grooves and that sweet swing to keep the bodies moving. Five iconic cuts from skippy vocal bumpers to percussive workouts and bass heavy whompers, this ain’t one to miss.","brand":"Digital Tape Recordings","offers":[{"title":"Default Title","offer_id":41332094402675,"sku":"DTR017 (A56)","price":11.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/24hr-experience-dub-essentials-part-1-8281190.jpg?v=1755323724"},{"product_id":"nia-archives-silence-is-loud","title":"Nia Archives - Silence Is Loud","description":"\u003cp\u003eNia Archives is the star at the forefront of the latest era of jungle. Since her emergence in 2020, her collagist soundscapes have helped bring the sound to a new generation of clubgoers (though fair warning: don’t call her a “revivalist” – she’s the first to point out that the scene never went away). So when it comes to talk of the 24-year-old producer, DJ, singer and songwriter’s much-anticipated debut album, the odds are you’re thinking of a full- length record of weightless jungle tracks with basslines so intense they’ll leave your ears ringing. But the reality of the Bradford-born, Leeds-raised artist’s first ever album – while very much replete with that exquisite jungle sound she does so well – is also doing something a little different. On the thrilling and freeing Silence Is Loud, Nia Archives is looking to make music for beyond the rave. As she explains: “I think music can be experienced in different ways, and there’s different kinds of music for different scenarios. Say you’re at a festival listening to music with thousands of other people, that can feel really uniting. But then you might listen to an album on your own in the bus, or in a taxi; and this project is definitely more a record to sit and listen to than a collection of club tracks.” Nia is intent that Silence Is Loud is taken in as a full body of work of something “more song-focussed, putting interesting sounds on jungle.” It means that this is a record which finds gloomy Britpop, warm Motown, soaring indie, a love for Kings of Leon’s Aha Shake Heartbreak, skittering IDM, Madchester, classic rock, old skool hardcore and more, woven and fused into her ragga and junglist tapestry, all layered with feeling, imbued with her songwriterly lyricism about loneliness, relationships, family, navigating her 20s, and the intense potential power of silence. The vast sonic palette on Silence Is Loud comes down to Nia’s broad array of influences through her life. With her Jamaican heritage, Nia remembers hearing jungle as a child via her nana, as well as at Bradford Carnival, where she was drawn to the soundsystem culture, dancing carefree on the floats in the parade. The first album she ever bought was Rihanna’s debut, Music of the Sun, and she also went to Pentecostal church back then, and was obsessed with gospel. Aged 16, she moved to Manchester, where she didn’t really know anybody: and so, her solution to meeting people was going out. “Partying was a huge part of my life,” she says, “They used to do little freestyle cyphers at the house parties and I would join in – that’s kind of how I got into singing.” She had found music boring at school, but in meeting all these new people she became interested in making her own music as a hobby. “I was making boom-bap kind of stuff which I didn’t really like in the end,” she laughs, “My lyrics are quite deep, so on a hip-hop beat it all sounds really depressing. I wanted people to dance to my music.” And so she began experimenting with faster tempos alongside that melancholy songwriting, teaching herself how to make beats on Logic: “It’s all been a lot of trial and error, really.” Nia went to study music in London, and was also interested in visual art, making collages and VHS: “Before the music, I was trying to make a visual archive of my life and the people around me,” she explains, “And then my music was like my diary, and a sonic archive, as well.” Hence, she paired the word “archives” with her middle name, Nia. To this day, in her spare time she’s working on pulling together a documentary on the global nature of the jungle scene. Back on those first two EPs, Headz Gone West (2021) and Forbidden Feelingz (2022), she honed that junglist sound, painting it with new flecks of colour and vibrance. It was only after she started releasing work that she realised pursuing music could be a viable life path for her. The decision has been paying off ever since. Nia Archives placed third in the prestigious BBC Sound Poll for 2023, alongside garnering a nomination for the Brit Awards’ Rising Star prize, plus wins at the DJ Mag, NME, the MOBOs and Artist and Manager Awards. She has also toured the world – be it North America, Europe or Asia – and even opened a show in London as part of a little something called Beyoncé’s Renaissance World Tour. She’s renowned as a party-starter in her own right, too, with takeovers at Glastonbury, Warehouse Project and her own Bad Gyalz day event. She’s done official remixes for the likes of Jorja Smith, had a huge summer hit with her Yeah Yeah Yeahs rework ‘Off Wiv Ya Headz’, and worked with brands like Corteiz, Nike, Flannels, Burberry, FIFA and Apple. In just three years, it’s fair to say that Nia Archives has become a need-to-know name in dance music. But Nia is not interested in being one fixed thing. Building on the terrain from her third EP, Sunrise Bang Ur Head Against Tha Wall, the universe of Silence Is Loud is not totally unfamiliar territory; but it’s still emblematic of a bolder scope than we’ve heard from the artist before. Working with Ethan P. Flynn (the songwriter and producer known for his work with FKA twigs and David Byrne), the resulting record is an impressive feat of deftly-sculpted textures; sometimes big and euphoric, like the wobbly, lusty bass of ‘Forbidden Feelingz’, or elsewhere notably gentle and quiet – see: the gorgeous, surprisingly drumless ‘Silence Is Loud (Reprise)’, a heartfelt number that sits somewhere in the school of Adele. “I really sharpened my songwriting skill on this project,” Nia says, “I was really intentional about what I was writing about, and I really loved co-producing with Ethan. His process is so different to anyone I’ve worked with before, and he’s got a kind of DIY set-up like me.” Flynn’s flat overlooks the Barbican, adding that unquantifiable futurist urban quality that the area holds to the music. The pair enjoyed the collaborative process so much that the album was done within three and a half months. Perhaps this is why Silence Is Loud maintains an exuberant immediacy while still being sleek and spacious, interspersed with flourishes of metallic beats, lush melody and topped with her sugary but powerful vocal, floating over it all. There is an intimacy to the record, perhaps in part due to Nia writing most of her lyrics while sitting in bed in her flat in Bow (once a bedroom producer, always a bedroom producer). You can hear it on the refrain for lead single ‘Crowded Roomz’, which finds rippling guitar lines cutting taut through the beats as Nia refrains: “I feel so lonely crowded rooms.” The song is an examination of life on tour, constantly surrounded by people, but not necessarily those she can be herself around; more than that, the track is exemplary in the category of sad bangers. Silence Is Loud often finds itself in that push and pull between melancholy and euphoria. There’s a celebration of her unconditional love for her younger brother (the title track), a rumination of an evening with an Irish boy she met by Temple Bar (‘Cards On The Table), or a letter to herself on the light and airy ‘Unfinished Business’, even coming to terms with a lover having a past they haven’t quite processed yet (“nobody comes with a clean slate”). The latter was recorded the week after a music festival, and accordingly captures Nia’s vocal in its not quite healed, husky state. Nia’s work is always a snapshot of where she’s at when she’s making it. This might not be the debut album you were expecting, but that’s what makes Silence Is Loud so special. Nia Archives has learned the rules of her sound, and is unafraid to break them, pushing jungle and herself into new, unchartered territories that, in turn, go some way to map the history of the greats of British dance music. More than that, it plants her firmly in that lineage.\u003c\/p\u003e","brand":"Island Records","offers":[{"title":"Default Title","offer_id":41350037700723,"sku":"6500353 (A11)","price":20.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/nia-archives-silence-is-loud-1844777.jpg?v=1755323430"},{"product_id":"the-streets-a-grand-dont-come-for-free","title":"The Streets - A Grand Don't Come For Free","description":"A Grand Don't Come for Free is the second studio album by English rapper and producer Mike Skinner, under the music project the Streets. It was released on 17 May 2004 and is listed in the book 1001 Albums You Must Hear Before You Die.","brand":"Locked On","offers":[{"title":"Default Title","offer_id":41487604154483,"sku":"0825646153411 (A27)","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/the-streets-a-grand-dont-come-for-free-5301983.webp?v=1755322195"},{"product_id":"quiet-dawn-celebrate","title":"Quiet Dawn - Celebrate","description":"\u003cp\u003eFirst Word Records is very proud to bring you a brand new 11-track album from Quiet Dawn, one called 'Celebrate'. French multi-instrumentalist Quiet Dawn has been an integral part of the First Word family for a full decade now. His diverse catalogue has included organic ambient-jazz (2018's 'Human Being - The Short Story Of The Reed'), Dilla-esque instrumental beats (2023's 'Simple' beat tape), head nod Hip Hop (the 2015 debut album 'The First Day') and broken beat (2022's 'Movements' EP). It's the latter project that this new project is the most obvious successor to, which he produced directly afterwards. This new album from Quiet Dawn (real name Will Galland) takes on an array of broken beat flavours and features a few luminaries from that scene along the way, including the legendary Bembe Segue (on the smooth soulful grooves of 'All Around'), LyricL (dropping bars on the lively title track 'Celebrate') and Oliver Night from the CoOp Presents crew (on 'Follow Your Instincts' and single 'Lost From Life'). Elsewhere there's uplifting jazz samba-tinged vibes (on 'It's All About Freedom' \u0026amp; 'He Is Lion'), a sprinkle of downtempo boom bap ('Flow' \u0026amp; 'See The Good'), and an assortment of instrumental bruk riddims with squelchy synths, sweet rhodes, skippy percussion \u0026amp; funked-up basslines. Quiet Dawn once again effortlessly combines the organic with the electronic. The whole piece exudes positivity and good times. Quiet Dawn explains \"I had already started making tracks for this album, before completing the 'Movements' EP - tracks like 'It's All About Freedom' \u0026amp; 'I Just Wanna Do This'. I composed the title track 'Celebrate' with my son on my lap; he was 2 and a half years old, and was the one who found the Rhodes bass notes on the drums that I composed first. I made the bassline, the arrangement, and then the track was completed with the talents of LyricL with her unique lyrics and style! I fulfilled a dream of working with Bembe and it felt so effortless. And of course it's always pleasant and powerful making tracks with Oliver - he has crazy talent, and we understand each other so much on the spirit of the pieces we make together. Once again, the idea was to make a record that we can dance to, whether we are dancers or not, listen to at home, or on our travels. Celebrate life, love, and the people we love. Celebrate the different cultures of the world - our differences are a strength. Turn negativity into positivity. Celebrate our actions, whether in pain or not. Celebrate our different journeys. Let's 'Celebrate' it right now!\" Previous support for Quiet Dawn's output has included a wide range of formidable selectors such as Laurent Garnier, Rampage, Tall Black Guy, Kev Beadle, Dom Servini, Kid Fonque and many more, whilst previous collaborations have included Makaya McCraven, Oddisee and Ohmega Watts; testament to the quality and breadth of Quiet Dawn's compositions and production talents. 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These carefully crafted dubs take the original masterpiece to new heights, offering unique perspectives on the timeless classic.\u003c\/p\u003e","brand":"Full Circle","offers":[{"title":"Default Title","offer_id":41727365939315,"sku":"FULLC003 (A20)","price":11.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/danny-j-lewis-daniella-gaha-spend-the-night-remixes-4558446.jpg?v=1755321812"},{"product_id":"hyper-go-go-high","title":"Hyper Go Go - High","description":"\u003cp\u003eIt's been 32 years since Hyper Go Go's 'High' crashed into life, combining the best of Italo House and rave into an exuberant, floor destroying piano anthem. Fast forward to 2024 and HOOJ reissue this 92 classic with the Original \u0026amp; Cloud 9 Mixes on the A side with 2 newer remixes on the B side.\u003c\/p\u003e\n\u003cp\u003eRemixes come from Fast rising Scottish duo Testpress, who strip things back a bit, working the original riffs around a thumping kick and hooky new synth line \u0026amp; Kyle Starkey, the youngster takes no prisoners, tearing into the OG with slamming 135bpm drums, big drops, the odd snare roll, and lots of drama, for an energy driven update.\u003c\/p\u003e","brand":"Hooj Choons","offers":[{"title":"Default Title","offer_id":41727370920051,"sku":"HOOJ171 (A51)","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/hyper-go-go-high-4626784.jpg?v=1755321812"},{"product_id":"dionne-come-get-my-lovin","title":"Dionne - Come Get My Lovin'","description":"\u003cp\u003eOfficially remastered reissue of the vocal house classic ‘Come Get My Lovin’ by Dionne. Produced by Komix and presented here for the first time on the original Bigshot Records label since its initial release 35 years ago. This full length 8-minute remix was the favourite version during the second Summer(s) Of Love and a certified classic, ‘Come Get My Lovin’ still sounds as fresh today as it did in 1989. Whether you’re buying this for the first time or buying to replace a worn out copy, here’s your chance to own a slice of house history.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Bigshot Records","offers":[{"title":"Default Title","offer_id":42166957801587,"sku":"VS132P (A3)","price":11.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/dionne-come-get-my-lovin-7376541.jpg?v=1755313325"},{"product_id":"4am-kru-incognito-rhythm","title":"4am Kru - Incognito Rhythm","description":"\u003cp\u003eFresh off a rework of Papa Levi with single Ribena, London’s jungle pioneers 4am Kru drop their highly anticipated debut album Incognito Rhythm featuring all the tracks that have cemented their reputation as the go-to act for raw, live jungle music. Having already taken the 2024 festival circuit by storm with appearances at Outlook Origins, Boomtown, Boardmasters, Reading+ Leeds, The Blind Tiger, Parklife Waterworks, Boundary and a milestone Saturday night closing set at Glastonbury’s Temple Stage, 4am Kru continue to draw audiences into the madness of their raucous blend of 1993-1994 influenced jungle. First bursting onto the scene post-lockdown, the falling monitors and flying bodies of their shows were particularly thrilling for ravers who had turned 18 in isolation. Originally developing their live sound in indie bands while sharing a studio in Tottenham, the duo quickly realized that the traditional DJ set couldn’t contain the energy of their act. They have since surrendered to the chaos of their incredibly physical performances, nursing chipped bones and back injuries, deep finger taping, chalking up and wearing shoes designed for skipping rope whilst rewiring what it meant to move their bodies. Their innovation extends to the equipment, with the duo reinventing a way to deliver their signature throbbing basslines with a Roland SPD SX drum pad as thick as a car tire. Their upcoming UK tour this October promises to further showcase their immersive, disruptive sound. 4am Kru’s latest single Ribena breathed new life into Papa Levi’s iconic British reggae classic Militancy following the release of hard-hitting Wutt this past July, setting the stage for their most ambitious project yet. Their debut album draws from a wide range of influences in addition to 4am Kru’s signature blend of 90s jungle flavours, from obscure slow jam R\u0026amp;B like Angela Bofill, Janet Jackson and Prince, early hardcore bands like Hüsker Dü, off kilter Scottish folk, and even classical music. The project is a snapshot of the incognito, nocturnal world that the duo have dwelled in for the past two years, a time capsule of well-worn songs played between midnight and 4am. An extraordinary debut, 4am Kru’s Incognito Rhythm is an immersive, razor sharp, face melting journey through their show-stopping live sound.\u003c\/p\u003e","brand":"Embrace The Real Records","offers":[{"title":"Default Title","offer_id":42267990032499,"sku":"4AMKVLP01 (A2)","price":29.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/4am-kru-incognito-rhythm-4335562.jpg?v=1755310799"},{"product_id":"various-exit100-pt-four","title":"Various - EXIT100 Pt. Four","description":"\u003cp\u003edBridge - \"So here we have it: the final plate of the Exit 100 series. I’ve been immensely proud of this project, and I believe this release is a fitting way to conclude it. We’ve curated a collection full of great music from artists I love, and I’m pleased that we’ve created a project that represents Exit’s future rather than its past.\"\u003c\/p\u003e","brand":"Exit Records","offers":[{"title":"Default Title","offer_id":42413297795187,"sku":"EXIT1004","price":20.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/various-exit100-pt-four-8747479.png?v=1755305689"},{"product_id":"jhelisa-sunship-friendly-pressure-sunship-remixes","title":"Jhelisa \u0026 Sunship - Friendly Pressure (Sunship Remixes)","description":"\u003cp\u003eSunship's remix of Friendly Pressure continues its resurgence. Radio One, Capital, Kiss FM in the UK as well as many top Dance stations around the world have been re-supporting the record. This 12” includes both mixes originally released in 1998, that go for decent money on Discogs. The ‘Into The Sunshine’ remix of 'Friendly Pressure' has been a hit on Tik Tok this year with over 400,000 creations and 1.4 billion views. Total streams are averaging 500,000 a day and it's being played in clubs and on radio in the UK, Europe, Australasia and the Americas Support from Gilles Peterson and interview confirmed with BBC6 Music.\u003c\/p\u003e","brand":"Dorado Records","offers":[{"title":"Default Title","offer_id":42474655219827,"sku":"DOR146 (C20)","price":14.01,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/jhelisa-sunship-friendly-pressure-sunship-remixes-4041786.jpg?v=1755301625"},{"product_id":"adam-f-colours-revisited","title":"Adam F - Colours Revisited","description":"\u003cp\u003e‘Colours Revisited’, a revision of Adam F’s MOBO Award-winning 1997 debut album is a story of musical rebirth and passion. Adam F, realising that ‘Colours’ had found a new audience—partly thanks to arbsts like PinkPanther-ess—decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he mebculously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisbng UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks. “Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents,” says the seminal producer on his ground-breaking album. “Musi-cians of a calibre such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC\/Arbst), Roni Jordan (Jazz a guitarist who had a hit with Miles Davis’ “So What”), Tim Philbert\/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire\/MC MC (Live MC)...” Adam conbnues “We were honoured to be nominated for MOBO “Best album of the year” alongside renowned acts of that bme, including Hinda Hicks, Des’ree, Lighthouse Family, and Massive AUack. In fact, I was so convinced that we wouldn't win that I didn't prepare a speech, and that definitely showed in my genuine surprise. Colours also went on to be a top 20 UK Nabonal Chart hit which lead to Metropolis winning Tune of the Year at the Underground Awards. Music In My Mind from the same album was inspired from Herbie Hancock ‘Rocket’ and ‘I Thought It Was You’. “Fast forward to 2020, I never thought of ever revisibng ‘Colours’. But it seems that bme has come round full circle, the interest is there.” The revisited album dewly weaves together the energy of new live instrumentabon with the 80’s Bribsh electronica and jazz fusion inspired sounds of the original. The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original ‘Colours’, the influences latent within it and how and why it has gone on to influence so many others since it’s incepbon throughout the world. 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