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Featuring a veritable who's who of killer library break snakes - Alan Parker, Alan Hawkshaw (under sneaky alias William Parrish), Simon Haseley, Reg Tilsley and Gordon Grant.\u003c\/p\u003e\n\u003cp\u003eThis beautifully presented reissue, part of Be With's fresh campaign with the legendary library label Music De Wolfe, is well overdue. Recorded for De Wolfe in 1972, Hogan, The Hawk, Dirty John Crown is a fantastic start-to-finish listen. The flute-funk of Hawkshaw and Parker's opener \"The Hawk\" comprises driving, fuzzy, wah-wah-drizzled bell-laced breaks with synths and basslines to murder for. Up next, Haseley's \"The Happening\" is a carefree, rhythmic builder with strings and horns. 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It's been sampled by such heavyweights as Madlib, LTJ Bukem, El-P and The Alchemist (among many others).\u003c\/p\u003e\n\u003cp\u003eYou likely already know all this. If you don't, get to know. Originally released in 1972, it's credited to Music De Wolfe legends Simon Haseley (real name Simon Park) and 'Peter Reno' (a collaborative alias used by composers Clifford 'Cliff' Twemlow and Peter Taylor) Confused? No matter. 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On Barrios \u0026amp; Barricades, BB deliver two powerful Dark Disco delights... The kind of peak-time industrial funk-outs that have soundtracked infamous, strobe-lit joy factories over the decades from Chicago's Medusa's, Ghent's Boccaccio or Optimo's legendary Sundays at The Sub Club.\u003c\/p\u003e","brand":"Black Bones","offers":[{"title":"Default Title","offer_id":56417034207610,"sku":"BB-BB002","price":13.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0922\/5304\/files\/black-bones-barrios-barricades-5455753.jpg?v=1768023137"},{"product_id":"black-electric-black-electric","title":"Black Electric - Black Electric","description":"\u003cp\u003eTerrestrial Funk presents a piece of Detroit history. Born and raised in Motor City, Karl Fultz knew at the age of twelve that he wanted to be the most talented and successful DJ in the world. 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It follows a sold-out, self-released triptych of EPs. This album expands her previous sonic explorations into the antithetical nature of longing: from the yearning to be with someone again, to the obsession of embracing a path unknown. Esya wrestles with these fundamentally human impulses through a vastly broadened sound palette with the addition of cello, violin, piano, and electric guitar into her pre-existing synth and bass-heavy sound; thanks to collaborations from a plethora of her musical contemporaries such as Jessy Lanza, Sharon Van Etten, Laura-Mary Carter, Giungla, Rodrigo D’Erasmo and Lee Tesche.\u003c\/p\u003e\n\u003cp\u003eThe album opens with Fallen – a triumphant war-cry against fearing the unknown; then dives head-first into the contradictions of her industrial pop sound, from the playful titular arpeggiating R\u0026amp;B-banger Chasing Desire; to the brooding, discordant Lullaby. It is all tied together with sub-forward and often wild drum programming to ensure that you will be compelled to dance, even in your darkest hour. All songs written by Ayse Hassan. Vocals, Bass and Synths by Ayse Hassan. Drum Machines and Synths by Alex Keegan. Produced by Ayse Hassan and Alex Keegan. Mixed and additional programming by David Wrench for Solar Management Limited. 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Produced by Ed Michel and recorded in 1973 across two live performances and a studio session, Elevation features a dynamic ensemble including Joe Bonner on piano, Calvin Hill on bass, and Michael Carvin on drums.\u003c\/p\u003e\u003cp\u003eThe album’s open forms, modal grooves, and spiritual themes underscore Sanders’s ongoing search for transcendence and cultural affirmation through sound. With chant-like melodies, circular motifs, and immersive rhythmic textures, pieces like “The Gathering” and the title track reflect a more meditative and exploratory side of Sanders’s aesthetic. Elevation comes towards the end of Sanders’ tenure on Impulse!— a cohesive and spiritually resonant statement that bridges the raw fire of earlier albums with a deeper, more spacious sound.\u003c\/p\u003e\u003cp\u003eThe album’s open forms, modal grooves, and spiritual themes underscore Sanders’ ongoing search for transcendence and cultural affirmation through sound. With chant-like melodies, circular motifs, and immersive rhythmic textures, pieces like “The Gathering” and the title track reflect a more meditative and exploratory side of Sanders’s aesthetic. 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