クインシー・ジョーンズ - ユーヴ・ガット・イット・バッド・ガール

A reissue of this 1973 album is an overdue appreciation for his work as a solo artist. While his legacy often centers on shaping careers like Michael Jackson, Chaka Khan and George Benson, Quincy Jones also redefined what it meant to be a producer, arranger and composer in the spotlight. In this album, he took inspiration from some of his most favorite artists and productions of the day and converted them to his own. The album's first half is lush and mellow led by smooth renditions of tracks by Roberta Flack, Aretha Franklin and Stevie Wonder.

Though bordering on easy listening, these interpretations are elevated by meticulous orchestration and flashes of Jones's own tentative vocals. A highlight, 'Summer in the City' he transforms the Lovin' Spoonful's urban pop tune into a slow-burning, sultry jazz-funk groove featuring Valerie Simpson. A track instantly recognizable by the countless hip-hop samples, notably The Pharcyde's 'Passin' Me By'. The second half of the album is more upbeat, funkier and more playful. 'Superstition' shines with contributions from Stevie Wonder, Bill Withers and Billy Preston. 'Manteca' sizzles with jazz firepower, while the interesting TV themes 'Sanford & Son' and 'Chump Change' close the set with swagger and now, nostalgia.