Kollmorgen - 1243LABEL: Kompakt
Expected in stock between March 18th - 1st April
PLEASE ORDER PRE-ORDER ITEMS SEPARATELY FROM IN STOCK ITEMS IF YOU WOULD LIKE TO AVOID DELAYS TO YOUR ORDER/S
When we first heard from recent Kompakt signing Emma Kollmorgen, with 2021’s “You Are The”, she
was hymning the complexity of romance: “Love is scary as fuck!”, she said. On her debut EP, “1243”,
she’s built on that intensity and offered up a five-track suite of night-vision electronic pop, bristling with a stealthy sensuality.
It’s a cinematic collection, building from the brooding “Escape”, through the drifting, tactile pulses of “Taciturn”, the gritty, bustling noises that run underneath the smoke-signal torch-song of “All The Wild Animals”, and the closing, tear-stained melancholy of “Home”. “You Are The” reappears here as well, settling in perfectly amongst new friends.
It’s a completely assured first EP from an artist who’s been slowly and steadily building her own sonic
world. From her early days, when she busied herself by learning guitar and joining bands, Kollmorgen
always had a vision of doing something “more independent”, to allow her to find her own sound and
write her own songs. A brief creative alliance with the Berlin DJ duo Dole & Kom led to some
recordings and live performances. All the while, Kollmorgen was carefully shaping her production and
sound designing skills with Ableton Live, and exploring distinctive musical terrain in collaboration with co-producer and multi-instrumentalist Paul Seidel (The Ocean Collective, Fern, Nightmarer). She
joined the Kompakt family after a recommendation by Patrice Baumel, who also remixed her debut
single with typical flair.
On “1243”, though, Kollmorgen fully inhabits her songs, gifting each of them with a sweet, subtle
sway, her vocal and lyrical open heartedness balancing the blue tones of her production. Each song
is confident and poised, Kollmorgen relying on cross-thatched patterns of texture as a web to support her melodies: “I like patterns,” she says, “they give me something to hold onto, something stable in an unstable world.” The songs feel as though they’re grappling with moments of revelation and experience in Kollmorgen’s world, which makes sense, given her approach to music: “I never had a diary,” she reflects, “so writing songs is my way of expressing and dealing with life.” On 1243, you’ll
catch some glimpses of life lived, made sonorous through songs beautifully sung.